Yari Yari Ntoaso Digital Salon: Kadija George

We’re not quite done with our digital salon series. Today we feature author and publisher Kadija George. It is not too late for you to support these women writers as Yari Yari Ntoaso draws near.  Donations continue to be accepted via Paypal and check; Visit www.indiegogo.com/owwa!

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Zora:  I write because…

KG: It’s like a healthy snack in between my breakfast, dinner, and lunch which is the activism work I do – It’s very enjoyable, often hidden but absolutely necessary to my sanity and survival!

Zora:  If you were only allowed to own one piece of literature by a single author (e.g novel, short story collection, memoir, poetry collection), what work would you choose and why?

ZG: This isn’t a fair question. I need to have one for each genre,  so just know that I’m allowed to change this if anyone asks me, so today I will say Segu by Maryse Conde. Why? Because of the way she presents an epic African tale in a contemporary way. It is one of the few books that I really want to read again  -something I rarely have the time to do .

Zora:  Has the emergence of new media or electronic forms of outreach (e.g., blogging, social media) changed how you write or interact with readers?

KG: The only thing that has changed for me is that I have forced myself to work directly on to my computer rather than handwriting first, but I still keep my drafts and number them, and I still ‘think’ and do some edits on paper. It has changed how I interact with writers I work with in regards to their professional development so yes, I expect it to change how I interact with readers although I haven’t found the most satisfying/comfortable way to do that yet.

Zora:What is your proudest artistic moment thus far?

ZG: I’m proud of all my artistic achievements so there isn’t ‘one’ – I don’t want to upset the other achievements

Zora: What should people know about women writers in and of the African Diaspora?

KG: That one, does not speak for all. We are a wide range of voices, in different languages, tones, colours and emotions.

Zora: Why should people support this year’s Yari Yari Ntoaso indiegogo campaign?

ZG: These are tough times and however people have supported Yari Yari so far, is wonderful. It goes to show that it is needed and that that the team who have made it happen this year are marvelous. They could have given up after their charismatic leader Jayne Cortez passed away but they renewed their energies and moved forward. It couldn’t have been easy. What it does show is that women need this – it has been a struggle  financially for many of us to get there  – but we know that it will be worth it as the support and vibe that emanates from this gathering  is unique (a word I rarely use)  and I’m sure we will be looking forward to planning and ensuring that there will be a 4th one.

Zora: How can Zora Magazine and our readers learn more about you and your work?

Readers can visit SABLE LitMag to learn more about me and my work.

** Kadija (George) Sesay is a graduate of Birmingham University (Maj. West African Studies). She is the founder/publisher of SABLE LitMag, and SABLE LitFest. She is the editor of several anthologies of work by writers of African and Asian descent, the latest fiction one being, Dreams Miracles and Jazz: New Adventures in African Fiction (Picador Africa 2008) edited with Helon Habila. She is the series editor for the Inscribe imprint for Peepal Tree Press, their first anthology is Red: Contemporary Black British Poetry (2010). Other anthologies include, Dance the Guns to Silence: 100 Poems for Ken Saro-Wiwa (with Nii Ayikwei Parkes) and IC3: The Penguin Book of New Black Writing in Britain (with Courttia Newland) and Write Black, and Write British: From Post Colonial to Black British Literature. She is also an Associate Editor for Callaloo, the premier journal of arts, letters, and cultures of the African Diaspora. She has published her own poetry, short stories, essays and articles in magazines, journals, anthologies and encyclopedias in the UK, USA and Africa and has been broadcast on BBC World Service.  She is the General Secretary of African Writers Abroad (PEN) Centre, a fellow of the George Bell Institute, a Fellow of the Kennedy Arts Centre of Performance Arts Management and an associate of Vision Quest International. She has received several awards for her work in the creative arts.

Yari Yari Ntoaso Digital Salon Series: Rosamond King

Today’s Digital Salon Interview features Rosamond King- writer, performer, scholar and director of The Organization of Women Writers of Africa. We’ve also caught her interview on film! We hope that you will join us in celebrating the fullness of black female literary artists and support OWWA in their mission to raise the necessary funds for all the women writers participating in Yari Yari Ntoaso!

Yari Yari Ntoaso Digital Salon: Mamle Kabu

Happy Monday Zora Family! There are just FOUR days left in the OWWA indiegogo campaign. Have you donated? If not, we hope this third salon interview with Ghanaian author Mamle Kabu will be just the right amoung of good energy you need to make a contribution.

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Zora: I write because…

MK: I have an impulse to do so and it always feels good.  I don’t feel fulfilled unless I’m doing something creative.  There are many creative things I dabble in when I have the time but writing is probably my favourite.

Zora: If you were only allowed to own one piece of literature by a single author (e.g novel, short story collection, memoir, poetry collection), what work would you choose and why?

MK: If I were only allowed to own one piece of literature by a single author I would rebel against whoever was in charge or go underground with my collection!  It would include the complete works of many including the Brothers Grimm, Charles Dickens, the Brontës, Thomas Hardy, Evelyn Waugh, Lord Byron, Scott Fitzgerald, Chinua Achebe, Chimamanda Adichie, Chuma Nwokolo, Mario Vargas Llosa and Laura Esquivel for starters.

Zora:  Has the emergence of new media or electronic forms of outreach (e.g., blogging, social media) changed how you write or interact with readers?

MK: It has mainly given me the opportunity to interact with other writers eg. sharing our work via facebook.  I also participated in a British Council Programme called ‘Crossing Borders’ many years ago, which paired up new African writers with professional British writers via email.  I plan to publish some of my writing on e-books.

Zora: What is your proudest artistic moment thus far?

MK: Knowing that my short story ‘The End of Skill’ was shortlisted for the Caine Prize without ever being edited.  Especially in view of several frustrating editing experiences I have been through.

 Zora: What should people know about women writers in and of the African Diaspora?

MK: I don’t think I’m well placed to answer this one as I’m on the continent, not in the diaspora.  Unless it applies to writers on the continent too?

Zora: Why should people support this year’s Yari Yari Ntoaso indiegogo campaign?

MK: Because it will promote the voices of African women writers and through them, the voices of other African women who will probably not be heard any other way.

Zora: How can Zora Magazine and our readers learn more about you and your work?

 MK: By googling me.  And most of my publications are available through Amazon.com

 

** Mamle Kabu, a writer of Ghanaian and German parentage, was born in Ghana and moved to the United Kingdom in her early teens, where she completed her education, graduating from the University of Cambridge.  She returned to Ghana in 1992 where she has since been resident and works as a freelance consultant in development issues.  Mamle took up fiction writing in the late 1990s and has since written a number of short stories, all of which have been published in various anthologies and journals.  In 2009 she was nominated for the Caine Prize for African Writing for her story “The End of Skill.”  In 2011, for the first time, she branched into writing for children and wrote ‘The Kaya-Girl,’ a young adult novel, published under the name Mamle Wolo.  This book won her the 2011 Burt Award for African Literature in Ghana. Mamle has also written poetry, two screenplays and is working on a novel.  She is a co-director of the Writers’ Project of Ghana and a mother of two.**

Yari Yari Ntoaso Digital Salon Series: Evelyne Trouillot

Zora is happy to bring you another writer in our salon series! This time we feature Hatian writer Evelyne Trouillot.  Please consider making a financial contribution in support of these women storytellers. Visit www.indiegogo/owwa to give.  

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Zora: I write because…

ET: I fulfill a need when I write.  Writing allows me to fully be myself.  It is the best way for me to question life, to try to find answers, to react against what I find unbearable and try to make sense of what I see around me. It is a process that is at the same time painful, beautiful and powerful.  It takes a lot from me but I feel so much better when I feel I have achieved what I wanted…until the next book.

Zora:  If you were only allowed to own one piece of literature by a single author (e.g novel, short story collection, memoir, poetry collection), what work would you choose and why?

ET: It is very difficult to choose one single piece. I read every day and am still discovering new authors, new books that enchant me. They come join the old ones to enrich my life, the corpus of books and images that inhabit my imagination. But since I have to choose one book I will go back to The Little Prince, the classic book by Antoine de St Exupéry. Because it delves in such an original way to the basic human dilemma: all relationships come with risks, all human sentiments require some type of commitment. What constitutes our humanity comes with the risks of deception, of hurt, but it is worth it and without these sentiments life is worthless. The beauty of The Little Prince is that St Exupéry manages beautifully to convey these ideas to readers of all ages.

Zora:  Has the emergence of new media or electronic forms of outreach (e.g., blogging, social media) changed how you write or interact with readers?

No, not really. I think writing remains a solitary act, a way to travel inside oneself. What are new are the opportunities to share what we write with many more people depending on the medium that we choose. The act of writing whether one uses a keyboard, a pencil or a pen will involve the same intimate connection between thoughts, ideas and words. Plus, I have to admit I am not big on social media.

 Zora: What is your proudest artistic moment thus far?

ET: My happiest moments occur when readers sense what I wanted to convey in a way that goes beyond what I imagine and makes me discover something new about my writing. The power of art, of literature is that it does not belong to any individual; it becomes part of the reader’s own world. I love this moment when I meet a reader and I feel that we share the same world because of one of my books.

Zora: What should people know about women writers in and of the African Diaspora?

ET: When I read other women writers of African descent whether they live in Africa or out of Africa, I feel the power of history. Literature, poetry and art in general can transcend all prejudice, horrors of the past, woes of the present and transform them in something beautifully powerful. I think many women writers of African descent achieve that.

Zora: Why should people support this year’s Yari Yari Ntoaso indiegogo campaign?

ET: Promoting world literature is one of the best ways to work towards a world where people are more respectful and tolerant of each other. Also, Yari Yari gives the opportunity to women writers, artists and scholars who have a lot in common, but come from different contexts to share their views, and to reflect on their works. It will ultimately allow more creativity and diversity in the world.

Zora: How can Zora Magazine and our readers learn more about you and your work?

ET: As a Haitian writer living and working in Haiti, I write in our two official languages, Creole and French. Some of my work is translated into English, Spanish, German and Italian. I will recommend the ilenile site where readers will find samples of my writing and information about my work and my interview with Edwidge Danticat on Bomb magazine where I share with Edwidge my views about writing and living in Haiti among other things.

You can also visit Repeating Islands and Words Without Borders to continue engaging with Evelyne!

 

** Born in Port-au-Prince, Haïti, Évelyne Trouillot lives and works there as a French Professor at the State Universtiy. She published her first book of short stories in 1996. In 2004, Évelyne Trouillot received the award: Prix de la romancière francophone du Club Soroptimist de Grenoble for her first novel Rosalie l’infâme. In 2005, her first piece for the theater Le bleu de l’île received the Beaumarchais award from ETC Caraïbes. Évelyne Trouillot has published two books of poetry: Sans parapluie de retour in 2001, and Plidetwal in Creole in 2005. Her poetry has been translated in Spanish and English and published in numerous magazines in France, Canada, Mexico and Cuba. Her latest novel La mémoire aux abois published in France, Éditions Hoëbeke, in May 2010 received the prestigious award Le prix Carbet de la Caraïbe et du Tout-Monde in December 2010. It has been translated into Spanish by La Casa de las Americas, Cuba.**

 

Zora is proud to support Yari Yari Ntoaso 2013

“No black woman writer in this culture can write “too much”. Indeed, no woman writer can write “too much”…No woman has ever written enough.”- bell hooks, remembered rapture: the writer at work

On May 16th, hundreds of black women writers, from across the diaspora, will meet in Accra, Ghana for the Yari Yari Ntoaso Writer’s Conference sponsored by the Organization of Women Writers of Africa. Yari Yari Ntoaso, the 3rd installation in a series of symposiums that began in 1997, will bring together generations of black women storytellers committed to preserving and sharing the beauty of our writings.

Founded in 1991 by the late Jayne Cortez and Ama Ata Aidoo, OWWA is dedicated to creating spaces where black women authors and their writings can be celebrated in a circle of sisterhood. This year OWWA has launched an indiegogo campaign to help cover the travel expenses for participating writers and Zora is proud to stand alongside these phenomenal women in support.

As such, we’ll be hosting a digital salon featuring some of the women slated to speak in Accra this May. We’ll kick off this interview series tomorrow with poet Camille Dungy. We hope that their voices, stories, and work will inspire you to support the campaign and continue along your own literary journey!

To learn more about OWWA and the fundraiser visit www.indiegogo/owwa. AND HURRY! The campaign expires on March 15th: No donation is too small or unimportant!

7 Tips for Brown Girls Travelling

1) DO YOUR RESEARCH

It’s important to do thorough research when you’re deciding to travel nationally or internationally. However, it’s more important that you’re flexible. Having background information on your travel destination such as general cost of living, places to visit, and common scams are all worth looking up in your Lonely Planet Guidebook but don’t overdo it, especially when you have to put your money where your mouth is! Outside of flight,s most things like activities and hostels can always be negotiated upon arrival. Hostels can look great online but being able to see a room or learn from locals or other travelers is always best. When I went to Dharamsala to climb the Himalaya’s I thought I needed a guide for my trek which cost almost $30 bucks. That sounds cheap but its the equivalent of 1500-1800 rupees. After talking to other travelers who had been in the town for a while they assured me that I would be fine on my own and would probably meet people along the way!

2)  GET THE MOST BANG FOR YOUR BUCK

You may hear this lot but it’s crucial that you think of unconventional travel destinations where the dollar goes far. Places in Southeast Asia and South America are best but if you’re dying to get to Europe places like Portugal, Turkey, and Croatia are more affordable than its EU partners.

3) TRAVEL OFF SEASON

This may seem like common sense but it’s not because high season is different everywhere. Most high seasons are during the summer because that’s when most Americans are on vacation but don’t let that fool you! For example, our summer is Capetown’s winter…did you know that? If you’re a budget traveler its best that you do the thorough research ( see step 1)  to make sure you’re maximizing deals.  Good months for most places are Sep-Nov as well as February. Random I know, but I don’t make up the rules ladies.

4) BE OPEN…YOUR BROWN-YOUR DIFFERENT

No matter what country I’ve been to I always get stares, points, people running up to me snapping pics, and the never ending “I love Obama and Kentucky Fried Chicken” remarks. If you’re traveling to Europe this may not be as bad but even in Spain I dealt with this very same thing. Embrace it. You’re brown which makes you different. Some people don’t  understand the concept of black Americans, but don’t let this deter you from making the most of your trip. Take pictures and answer questions when you feel like it and keep it moving when you don’t.  Remember that your trip is all about you!

5) PACK LIGHT

Most of you know this but even fabulous divas  need to be reminded sometimes: do not bring anything you would hate to loose! Below is a good packing list that should keep you to one backpack or good carryon.

-          1 versatile dress

-          3 pair of pants ( jeans,  tights, capri/shorts)

-          4 t-shirts ( 1 should be a nice top)

-          2 camisoles

-          1 cardigan

-          3 Shoes ( sneakers, flats, sandals)

-          1 lightweight jacket

*my favorites: 1 hat because you never know and a scarf to dress any plain shirt up and to keep you warm during chilly airplane rides*

6) HAIR

Now homegirl, let’s not play when it comes to hair. Natural is probably the best way to go  but this does mean that you have to pack products which can be a hassle . To avoid the extra baggage and maintenance try braids. It can be with your own hair or synthetic hair. Styles like cornrows, individual braids, and something a little jazzier such as crochet braids are good fixes!  All will have you looking fly while you’re out exploring!

7) LIVE LIKE THE LOCALS

Last but most importantly “When in Rome, do as the Romans do”.  The best way to experience a country is to engage with its people and for me the best way to do this is through food and travel!  The best way to eat cheap is to eat where the locals eat. Anywhere that doesn’t have a menu in English is a good start but the more obvious way is to experiment with street food! It may sound dangerous but just use your better judgment (don’t go to the stand with flies all over) and go for it! Other ways to save money on food would be to book accommodations that serve breakfast or have kitchens. Fixed menus are also a good idea and usually are 3 course meals for one cheap price!  Rather than taking cabs everywhere get a bus pass and hop on…it’s always cheaper to take public transportation and it creates more opportunities for you to meet locals and other travelers.

Hopefully these tips geared you all up for your next big trip! 

Location: In La La land…. but I’m not dreaming

If you would have asked me 5 months ago, where I would be in April 2012,  I would have probably  been annoyed. Then I’d say, “I don’t bleeping know” in a more tactful manner. This time in December, I was nearing the end of my term on Capitol Hill and once again found myself at a dead end. I felt I had exhausted my resources as far as coffee and informational meetings and emails could take you and working at Starbucks had started to seem like the most viable option. My plan after the holidays in Minnesota was to return to Washington D.C., find a peanut job so I could eat and at least pay my angel of an auntie a little something for letting me squat in her apartment, and co-produce a webisode series I wrote with the little money I had. Meanwhile, I would wait for my 5-figure job to fall from the sky.

The Sunday before my departure from Minnesota, I received a call from one of my best friends from high school that I can now confidently say changed the course of my life forever. She asked me if I had a job yet and if I’d be willing to move to L.A. to work for a show we will refer to as, Mr. Bigtime. A production assistant had just quit and she was going to give my resume to the producer. After wiping up my drool I was able to say, heck yes. In a matter of two hours I was on the phone with a producer for Mr. Bigtime. She was extremely bubbly and excited to talk to little old me for some reason. This woman tells me (and my mom, who was sitting on pins and needles listening along), “Now, I could hire someone locally, but because of your resume and what I’ve heard about you if you can get here by next Monday the job is yours. Call me on Tuesday with your answer.” It took a nanosecond for me to decide that I would go. I really could not believe it! Me, the quirkster, suburban, African girl was finally going to the big time! Who knew, maybe I would have a chance to be the first production assistant ever to take over a major network primetime show. At this point anything was possible!  I floated. Of course my parents were elated as well.  So much so they told quite literally our whole extended family. Immediately, I devised a plan that I would go to D.C., pack up my things, and fly to L.A. that Saturday. I bought my ticket from Reagan to LAX, planned to ship my car, and made arrangements to stay with my friend until I could find my own place.

When I called the woman back her tone was substantially less bubbly and she told me to call her back on Thursday. Strange I thought, this hussy better not try to pull a fast one on me. In the days leading up to Thursday I could not eat or sleep. It was definitely the worst anticipation anxiety I’ve ever had. My gut told me that something was wrong. I called again on Thursday and she handed the phone to her Associate producer who goes through my job description, what my days will be like, tells me to watch the last 2 episodes of the show, and tells me she will email me a sample of the packets I will put together each week. AH, I could breath again It hought until I heard her whisper “Should I tell her now?” The associate producer then informs me that  she would “ call me back in 5 min”.

I wanted to say, “No, you trickster. Tell me whatever you have to say NOW!” I mean, come on woman, this was no small decision, it’s Thursday and my ticket was for Saturday. But I conceded and again waited for her call. FOUR HOURS LATER my phone rings. The sweethearted associate producer is on the line. It went something like this:

“Hi hun, we actually decided to hire someone local just because we didn’t want you to move here just for this job, you know? And we’d feel responsible if it didn’t work out.”…And a bunch of other stuff that sounded like the teacher from Charlie Brown. At the end, I simply said, “Okay, thank you for your consideration.”

So here we have it, a one way a non-refundable ticket to Los Angeles International Airport, cancelled casting calls for my webisode series, and a big fat question mark lingering over my head. The bon voyage dinner my best friend Camille and I cooked had turned in to something quite different.  It wasn’t until Camille’s older brother said, “Well, you’re still going right” that I considered still going. Who knows what could happen, I thought. But this was just too gutsy; my parents would think I was crazy. And obviously I was because that Saturday I got on the plane and not one of those doubts have come to fruition.

I just recently made the deposit on a studio in, yes you guessed right, L.A. May will not only mark my 1st year as a graduate, but also my 5th month living in the City of Angels. Within a week of arriving in this foreign land, I had a freelance job on a film. This led me to the permanent job I have now. My dream of pursuing acting seemed so far fetched only weeks before; I now have an agent. And most unbelievably to me, I auditioned, passed, and enrolled in the first course at the Groundlings School. Something I truly dreamed of, but thought could only be reality years from whenever I was dreaming. I really cannot believe my life right now and I owe it all to that tricky producer at Mr. Bigtime.

You see, I didn’t ramble on with every detail of that story to hype myself. That’s actually one of my least favorite things to do. I want you to understand my thought process because I know you’ve worn those apprehensive shoes too. We’ve all found ourselves at a dead end where our options seemed limited. We doubt, we stress, and we complain about things that are out of our control as opposed to the easier  option of taking control.  There is something beautiful about risk. No, not tightrope walking across a high-rise building over a pool of sharks. I’m talking about jumping in to an insecure situation and trusting yourself to turn it into something solid. When you take risks, you take control. Think about the times where you doubted yourself and went for it anyway. You took a risk! Regardless if the situation ended in your favor or not, I know you lived because you’re reading this article. And if it don’t kill ya, (in unison, please) it makes ya stronger. My friends, when it comes to your dreams, especially those that seem farfetched, the only thing that will come from sitting and waiting is a sore toosh. Make the choice to take control and turn your dreams in to your reality. You’ll surprise yourself.

And always, be thankful!

Black and Foreign: Tales from the G train

“Why would a N*** want to be from Holland? I thought y’all were regular black?” “Oh Hell no! What is that I hear you speaking? Spanish? How is that possible?! You have hair like me!”

The statements above are some of the more extreme examples of questions and comments we receive from strangers on almost a daily basis whenever we spend time in the U.S. The fact that we are two black women who are not from the United States seems to be a shock to many Americans, in particular those of African descent. We are two cousins who spent much time in New York City. One of us, Liz was born and raised in Curaçao, an island in the Southern Caribbean. Nata, on the other hand, was brought up in the Netherlands to a mother from Curacao and a father from British Guyana.

Although we both live in Curaçao New York has become a second home to the both of us. We are WANNABE New Yorkers, and as such we travel around the city by subway, especially between Brooklyn and Manhattan. We often make use of our travel time to recount the day’s events. We are very Caribbean in the sense that we are very passionate in the way we express our thoughts, feelings and emotions, even if we are on the A train during rush hour heading back to Brooklyn. We always communicate in our native languages of Papiamentu (a language that sometimes mistaken for Spanish) and Dutch. This can result in some interesting scenarios. The speaking of a different language should not be the cause for attention since New York has a very large population of immigrants. There is probably every single nationality living in the city. You would think there’d be little shock. However, we have noticed that the combination of two black women speaking a foreign language (or two) does cause quite a stir. We oftentimes catch our fellow passengers, especially black Americans, making an attempt to decipher what the hell it is that we are speaking. Most give up, others introduce themselves, and some of the men even try to pick us up. By the time we switch onto the G train, the number of people we meet multiplies. These subway experiences have always made us wonder: What makes the fact that we are foreign fascinating? In a careful manner we wondered if the African Americans that we have crossed paths with believed that black people only lived in America…

These expressions of disbelief coming from African Americans are not new to us. A few years back when we were both studying in Amsterdam, we saw comedy routines performed by three African American comedians. Even though the comedians talked mostly about black American culture the audience, which consisted of mostly Dutch blacks, was able to relate to most of the topics. This seemed to amaze the comedians and one of them even confessed with shame that he had never known that there were Dutch black people, let alone how Dutch blacks and black Americans have shared and continue to share similar experiences. Similarly, while living in Brazil Liz has met and interviewed many African Americans who admitted they never knew that Brazil or South America in general, had such a prominent black population.

Growing up, we were always aware of the fact that black people lived in the U.S. and all across the world. Perhaps it is because we were both raised in multi-lingual and multi-cultural environments. Or maybe it is simply a combination of how we were brought up and our own personal interests. We both loved reading books by Richard Wright, James Baldwin, and Toni Morisson. The autobiography of Malcolm X is definitely a favorite book of ours. To us, the African Diaspora is none other than a network of people of African descent, from different nations all across the globe whose ancestors have endured many hardships due to colonization, enslavement, abuse and racism. The enslaved Africans who crossed the Black Atlantic towards the Americas have all suffered a similar fate. Slavery might have been abolished for approximately 150 years, give or take a few years depending on the colonizer, but many blacks still suffer because of this. In Anno 2011, it is very clear to us that no matter where you go, may it be Curaçao, the Netherlands or Brazil, black people from the African Diaspora all share a comparable history.

Throughout our experiences we have come to the conclusion that the Diaspora is not only important to us because of our experiences and the close contact we have with our African heritage, which is ever present when we speak Papiamentu, eat our local cuisine or dance to the rhythm of the Tambù (traditional Curaçaoan drums), but also because the two of us have always acknowledged who we are and where we come from. This does not mean that we live or have lived in a society that acknowledges the importance of the colonial history and its repercussions today.

Like any other place both Curaçao and the Netherlands have seen its share of racism. However, the words race and racism are non-existent in both societies. All the racism that blacks in the Dutch Kingdom have been dealing with since the abolition of slavery has not disappeared because people are afraid to talk about what is actually happening. Blacks in America acknowledge the pain and suffering they have been through and are not afraid to fight for their rights. To us, this is admirable and it is a change that we wish to see in our society as well. Also, it is one of the reasons we spend so much time in New York connecting with other people from the Diaspora. We admire how the demon (racism) is called by its name in the U.S. This has made us stand much taller and has helped us to deal with similar situations in our homelands. Many blacks are still victims of colonization and it is these experiences that make all of us linked to one another throughout the black Atlantic.

So, we cannot wait to ride the subway next summer where we will reflect upon the day’s events. Since the concrete jungle was named New Amsterdam before it became New York, we know that the city is a constant reminder of our Dutch heritage, which is fashionably present in the subway system (Flushing, Brooklyn, Harlem, Stuyvesant, Coney are a few examples of Dutch cities or names in the Netherlands that have been adapted to English). We will keep meeting new people, especially our fellows from the Diaspora. We can only wish for more integration for all of us. Our plea is for everyone to be more aware of one another and reach out to others who have a similar history and a similar present. There are a number of African Diaspora Mecca’s in the world, New York City being one of them. However, there is also Salvador de Bahia in Brazil, Santiago de Cuba, or Bandabou in Curaçao. These are all places one could reach out to and visit. Perhaps one day our train rides will become uneventful, because everyone will have reached a point where hearing two black women speak a foreign language, makes them as regular as any other black person they may or may not know. After all, we are all children of the African Diaspora…